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Northern mannerism style of decorative artwork and Christian artifacts is connected to the Moresque style.
The kind of Mannerism practised in the 16th and early 17th century in the visual arts located north of the Alps is known as northern Mannerism. From about the middle of the twentieth century, styles, particularly Mannerist ornament in architecture, that were largely influenced by Italian Mannerism began to appear in the Netherlands and other countries.
As a result of their very self-conscious development of elegance and technical skill, Mannerist painters developed a style that is distinguished by artificiality, artiness, and a refined indulgence in the strange.
In contrast to the High Renaissance, modern study has acknowledged the ability of Mannerist painting to express powerful, frequently religious emotion in various Christian artifacts . Pontormo, Bronzino, Rosso Fiorentino, Parmigianino, and Raphael's student Giulio Romano are a few of the most prominent artists of this era.
To learn more about Mannerism, refer
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